KONSEP DIRI TERHADAP PERAWATAN TALI PUSAT PADA PENULISAN SKENARIO FILM FIKSI “SUKMA”

Rights Holder

ISBI

Creator

RAIHANI ANANDA AJI

Title

KONSEP DIRI TERHADAP PERAWATAN TALI PUSAT PADA PENULISAN SKENARIO FILM FIKSI
“SUKMA”

Description

“Sukma” merupakan skenario film fiksi berbasis cerita budaya yang mengangkat konsep diri terhadap perawatan tali pusat. Skenario ini menceritakan sebuah tradisi yang muncul di daerah Kebumen, Jawa Tengah dimana orangtua memakan tali pusat anaknya setelah peristiwa puput puser. Dalam bahasa Jawa, “Sukma” memiliki arti jiwa sehingga judul tersebut merepresentasikan keseluruhan isi cerita yang berbicara mengenai ketakutan seorang ayah terhadap keselamatan jiwa anaknya. Skenario film fiksi “Sukma” diangkat sebagai upaya pelestarian budaya karena adat dan tradisi perawatan tali pusat sudah mulai ditinggalkan. Pada skenario film fiksi “Sukma” digunakan metode penelitian berupa studi pustaka, wawancara, dan observasi dan melalui tiga metode penciptaan, yaitu tahap eksplorasi, tahap perancangan, dan tahap perwujudan. “Sukma” kemudian menjadi sebuah skenario film fiksi yang berisi mengenai gambaran kehiduan masyarakat berlatar budaya Jawa di Kebumen serta karakter yang merepresentasikan konsep diri masyarakat Jawa yang hidup diantara adat Jawa dan ajaran Islam.

“Sukma” is a fictional film screenplay based on culture story that explores the concept of self in relation to the traditional practice of umbilical cord care. The screenplay tells the story of a tradition found in Kebumen, Central Java, where parents consume their child’s umbilical cord after the puput puser (detachment of the umbilical stump) ceremony. In Javanese, “Sukma” means “soul”, which represents the core of the narrative: a father’s fear for the spiritual safety of his child. This screenplay was created as an effort to preserve cultural heritage, as the tradition of umbilical cord care has increasingly been abandoned by modern society. The research methods used in the development of the screenplay include literature studies, interviews, and field observations, and the creative process was carried out through three main stages:exploration, design, and realization. “Sukma” ultimately becomes a fictional screenplay that potrays the life of Javanese society in Kebumen, as well as characters that represent the self-concept of Javanese individuals living between traditional customs and Islamic teachings.

Skenario, Tradisi, Kebudayaan Jawa

Date

2025

Has Part

televisidanfilm